Image of sculptures and prints from an exhibition of works by artist Alison Saar

2021 | Mirror, Mirror: The Prints of Alison Saar

From the Collections of Jordan D. Schnitzer and His Family Foundation

EXHIBITION | September 7, 2021 – March 12, 2022
PROGRAMS 9/28| Opening Reception, Tuesday, September 28, 2021, 5–7 p.m. (Museum)
PROGRAMS 9/29| Exhibition Tour with Alison Saar, Wednesday, September 29, 2021, 2–3 p.m. (Museum)
PROGRAMS 2/10| Alison Saar, Jo Hockenhull Distinguished Lectureship, Thursday, February 10, 2022, 4:30-5:30 p.m. (Online)
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ABOUT | American artist Alison Saar is known not only for her powerful sculptures—she is also a master of the art of printmaking. In both forms, she employs a personal vocabulary informed by history, race, and mythology. Her influences range from ancient Europe, Africa, and American folk art. Saar’s works narrate stories of the African American experience, moving effortlessly from the personal to the political. In many of her works, she charts the tragic history of slavery in America, but her figures symbolize defiance and strength. Other recurring images are informed by jazz, romance, and desire.

Mirror Mirror: The Prints of Alison Saar features nearly 50 prints and five sculptures by the Los Angeles–based artist over the past 30 years. Her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collaged―empowering the content of the image while resisting the flat repetitive nature of the medium.

Funding for this exhibition is provided by the Samuel H. and Patricia W. Smith Endowment, Nancy Spitzer, and members of the Jordan Schnitzer Museum of Art WSU.

About the Jordan Schnitzer Family Foundation | At age 14, Jordan D. Schnitzer bought his first work of art from his mother’s Portland, Oregon contemporary art gallery, evolving into a lifelong avocation as collector. He began collecting contemporary prints and multiples in earnest in 1988. Today, the collection exceeds 13,000 works and includes many of today’s most important contemporary artists. It has grown to be one of the country’s largest private print collections. He generously lends work from his collection to qualified institutions. The Foundation has organized over 110 exhibitions and has had art exhibited at over 150 museums. Mr. Schnitzer is also President of Harsch Investment Properties, a privately owned real estate investment company based in Portland, Oregon, owning and managing office, multi-tenant industrial, multi-family and retail properties in six western states. For more information about the Jordan Schnitzer Family Foundation, please visit

LOCATION | The  Jordan Schnitzer Museum of Art WSU is located in the Crimson Cube (on Wilson Road across from Martin Stadium and the CUB) on the WSU Pullman campus. For more information please visit