Hung Liu, Wangechi Mutu, Deborah Oropallo, Wendy Red Star, Alison Saar and Lorna Simpson
EXHIBITION: AUGUST 22 – NOVEMBER 17, 2017 CLOSING RECEPTION: Fri, 11/17, 5-7pm JOINT LECTURE: Fri, 11/17, 5-6pm, with Wendy Red Star and Beatrice Red Star Fletcher
ABOUT | Contemporary Women Printmakers celebrates six internationally recognized women artists invested in printmaking, a process both physically and technically demanding. Featured artists include Hung Liu, Wangechi Mutu, Deborah Oropallo, Wendy Red Star, Alison Saar and Lorna Simpson. Hailing from many places around the world—Africa, Asia, and North America—these artists offer a diverse set of perspectives on a wide-range of themes pertaining to global culture. Each is critically engaged with content surrounding issues of identity formation—through gender, sexuality, race, ethnicity, or economic class—and each employs figuration as a means to explore representations of the female body within contemporary art and popular culture.
The featured works demonstrate a broad variety of traditional as well as contemporary printmaking techniques, from woodcut to etching to offset lithography and digital prints. » More …
Ruth Boden, Kevin Haas, Taiji Miyasaka, and Linda Russo
Reflections on Place through WSU Faculty and the Museum Collection
May 16 – June 30, 2017
“The intersections of nature, culture, history, and ideology form the ground on which we stand—our land, our place, the local.” –Lucy Lippard
ABOUT | In his essay Towards aCritical Regionalism, architectural historian Kenneth Frampton denounced the prevailing “international” style of architecture—modular, rational, often partly pre-fabricated—for reducing regional variance to the point that new buildings in cities across the world were beginning to look altogether and everywhere the same. As an ensuing extension of Frampton’s argument, artists of various disciplines have taken up the challenge of balancing regional difference within a hyper-connected, globalized world. Today’s culture-makers have an opportunity to benefit from burgeoning avenues of information exchange and de-centralized seats of power, while critically responding to local conditions; reflective of their community’s histories, cultural-makeup, and the particulars of the surrounding land. » More …
Hayley Black, Stephen Cohen, Annie Cunningham, Andre Fortes, Yuanwen Lin and Laura Pregeant
EXHIBITION: April 4 – May 6
RECEPTION: Friday, April 7, 6-8pm
ABOUT | The Master of Fine Arts Thesis Exhibition is organized by our curators Ryan Hardesty and Zach Mazur who’ve said, “This exhibit provides a wide range of styles and stimulating experiences for faculty, students and local museum constituents. The world-class faculty at WSU encourage the MFA candidates to become more assured and articulate in their convictions. We confidently present this year’s graduate thesis work in hopes that undergraduate students, first year graduate students and anyone willing to be moved by art while spending time at WSU will find it a fun and stimulating experience.” This annual showcase represents the culmination of two or more years work by the Master of Fine Arts graduate candidates.
MFA INTERVIEWS | We also are fortunate to have interviews and photos with the candidates posted on facebook (explaining the graduate candidates’ art and processes) as a great resource. Find these interviews by scrolling down to view the photo gallery, or view them on facebook by clicking here.
MFA THESIS CANDIDATES | Hayley Black, Stephen Cohen, Annie Cunningham, Andre Fortes, Yuanwen Lin and Laura Pregeant. You can learn more about each artist by viewing their websites located in the right-hand sidebar. » More …
EXHIBITION: Jan. 24 – Mar. 11
RECEPTION: Thurs, Jan. 26, 5-6pm
LECTURE: Thurs, Jan. 26, 6-7pm(With Dr. Rebecca Dobkins, Professor of Anthropology and Curator of Native American Art, Hallie Ford Museum of Art, Willamette University)
ABOUT | More than 120 paintings, drawings, sculptures, and prints will be displayed in “Rick Bartow: Things You Know But Cannot Explain,” a major retrospective exhibition representing 40 years of work by the Native American artist. On view at the Museum of Art/WSU from January 24 – March 11, the exhibition opens with a reception and lecture on January 26 from 5-7 p.m. The lecture will be given by Dr. Rebecca Dobkins, Professor of Anthropology and Curator of Native American Art at the Hallie Ford Museum of Art, Willamette University.
Drawn from public and private collections as well as the artist’s studio, the exhibition and accompanying catalog explore themes central to the artist’s work and life: “Gesture,” “Self,” “Dialogue,” “Tradition,” and “Transformation,” as well as “New Work,” featuring exciting examples of Bartow’s production since his stroke in August 2013 that evidence a new freedom of scale and expression. » More …
Join the Museum of Art for the Northwest Alternative Comics Exhibition: September 26 through December 17; and Public Reception: Thursday, October 6 from 5-7pm. The ten artists whose work is exhibited will be in attendance at the reception. Admission to the museum is free.
ABOUT | The Northwest is seen by many as the birthplace of alternative comics, a genre which blended the legacy of Bay-Area “underground comix” with a DIY punk-ethos, while in step with a burgeoning independent music scene. Coalescing around The Evergreen State College in the early 1980s, gifted cartoonists Matt Groening, Lynda Barry, and Charles Burns published their comic strips in small alternative weeklies, helping to lay the foundation for the cultural phenomenon that would develop around Seattle in the 1990s. Originally underground and bohemian-based, today the regional comic scene is bigger and more active than ever before. » More …
Exhibition: August 22-September 17, 2016 Reception: Thursday, August 25, 6-8pm, Museum Gallery Artist Talk: 7pm
The Museum of Art has a long-standing tradition of presenting work by department of Fine Arts faculty members. Since 2004, these exhibits have alternated large group shows with a biennial exhibit showcasing a recently retired faculty member. This year the museum presents a retrospective exhibit of Chris Watts’ work, who retired in 2015, after 27 years of teaching drawing and painting at WSU.
Citing influences as diverse as Bronze Age monuments, spirals and mazes, Pythagoras, counting processes, scientific structures, bell ringing, Theosophy, and the geometric tradition in art; Chris Watts’ work represents a long-term inquiry into systems of order, patterning, and to a certain degree, spiritual or esoteric ideas. His investigation of the underlying structures of the world around us—expressed through drawings, paintings and constructions—connects Watts to a long lineage of peoples who have organized worldviews through pattern and abstract form.
The Museum of Art is located on Wilson Road across from Martin Stadium in the Fine Arts Center on the WSU Pullman campus. Gallery hours are Monday – Saturday, 10 a.m. – 4 p.m., open until 7 p.m. on Thursdays and closed on Sundays. For more information please contact the museum at 509-335-1910.
This exhibit is funded by the Members of the Museum of Art and the Samuel H. and Patricia W. Smith Arts Endowment.
Over the last five years, the Museum of Art/WSU has added more than 500 works of art to the permanent collection through generous gifts of the museum’s friends. Now totaling approximately 3500 unique objects, the collection provides a lasting legacy of the 20th and 21st centuries’ visual language. Held and cared for in our community’s trust, the collection is a campus educational resource and foundation for approaching emergent art forms we can only begin to imagine.
From the Collection: New Acquisitions puts on view, in many instances for the first time, selections from collection newcomers. These works have deepened holdings of previously collected artists and serve to introduce new artists to us. The exhibition also serves as a reminder of the generosity of many donors who understand the value of sharing great art with our community.
Dani Brooks, Alx Dockter, Kayleigh Lang, Nicole Nee, Dylan Steinmetz, and Kayla White
Exhibition: April 4 – May 7, 2016 Reception: April 8, 6-8 p.m., MOA Gallery
The Washington State University Museum of Art is excited to share the talents of MFA graduate candidates in our upcoming Master of Fine Arts Thesis Exhibition, April 4 – May 7, 2015. Gallery reception begins at 6:00 p.m. Friday, April 8 in the Museum of Art/WSU.
The exhibition is organized by our curators Zach Mazur and Ryan Hardesty who’ve said, “This exhibition provides a wide range of styles and stimulating experiences for faculty, students and local museum constituents. The world-class faculty at WSU encourage the MFA candidates to become more assured and articulate in their convictions. We confidently present this year’s graduate thesis work in hopes that undergraduate students, first year graduate students and anyone willing to be moved by art while spending time at WSU will find it a fun and stimulating experience.” » More …
Exhibition Dates: January 14, 2016 – March 25, 2016 Reception: Thursday, January 21, 6-8pm
“With eyes that remain fresh and a sensibility that regards contemporary art as the moving target it always is.” –Greg Kucera
Distinguished as one of the Northwest’s longest-standing and respected gallerists, Seattle resident Greg Kucera with his husband Larry Yocom, have also built an extensive private art collection. Assembled collaboratively over a 30-year span, the Kucera/Yocom collection focuses primarily on contemporary and historic art of the Northwest, while encompassing many significant works by internationally-known artists. Varied and nuanced, their collection contains additional holdings of erotica, including Japanese shunga, as well as objects by self-taught makers and decorative arts from the world-over. » More …
EXHIBITION: October 2 – December 12, 2015 RECEPTION/GALLERY TALK: 10/1, 6-8pm, Talk at 7pm, MOA/WSU Gallery
Jim Dine entered the New York art world to great acclaim with his performance art “Happenings” and mixed media assemblages in the late 1950s. Although identified among the first generation of Pop artists, Dine’s work has always been independent of labels. His signature images of hearts, tools and bathrobes suggested popular culture references, but in his hands they became opportunities for a strong romantic, expressionist sensibility. Over time he expanded the realm of imagery to embrace classic and mythic themes, along with figurative work and portraiture. » More …